Panasonic Lumix S1 review

Panasonic’s first-gen full-framer packs a punch

The Panasonic S1 is the more junior of two cameras that commenced the organization’s still-new S framework. Much as the Nikon Z6 is to the Z7, the S1 is basically a duplicate of its increasingly senior S1R kin, however with a lower-goals sensor and lower cost point. Thusly, it appears to probably have a more extensive intrigue for the individuals who need a decent all-round full-outline mirrorless camera instead of for megapixels chasers.

While the organization joins Canon and Nikon in playing get up to speed with Sony in the full-outline mirrorless race, Panasonic has the help of its L-mount accomplices Sigma and Leica in building up the framework all the more completely. That implies you’re ready to utilize focal points from one maker on cameras from another, and with every one of the three contributing the framework will no uncertainty thrive after a short time.

Panasonic has likewise been productive with its Micro Four Thirds arrangement of G-arrangement cameras and focal points in the most recent decade, so in the event that it adopts a similar strategy with its most recent line we could be in for a treat.


24.2MP full-outline CMOS sensor

5-hub Sensor Shift framework with Dual I.S. 2 support

4K UHD video recording to 60p

Image result for Panasonic Lumix S1 review

As opposed to Panasonic’s Micro Four Thirds G-arrangement cameras, the Panasonic S1 sports a bigger full-outline sensor that is measured to the 3:2 angle proportion. This holds an aggregate of 25.28MP, with 24.2MP compelling, which places it at a similar dimension as the Sony A7 III and Nikon Z6, and only marginally behind the 26MP Canon EOS RP. This sensor works over an affectability scope of ISO100-51,200, however you can alter this down to a setting comparable to ISO50 and up to ISO204,800-equal on the off chance that you have to.

The sensor works with another Venus Engine, and for the occasions where 24.2MP simply doesn’t cut it you can call upon another High Resolution mode. This inconveniences the sensor-based picture adjustment framework – more on that in a second – to catch eight pictures without a moment’s delay, with moment modifications in the sensor’s situation between every one, preceding mixing them into a 96MP (12,000 x 8,000-pixel) composite. What’s especially great to find is that these are yield as crude documents as opposed to JPEGs, so you can in any case procedure them as you would do some other crude record.

Panasonic as of now has three L-mount focal points accessible for the S1, specifically the Lumix S Pro 50mm f/1.4, Lumix S Pro 70-200mm f/4 O.I.S. what’s more, the Lumix S Pro 24-105mm f/4 Macro O.I.S., and the last as of now fills in as the default pack focal point. Panasonic has additionally promised to make 24-70mm f/2.8, 70-200mm f/2.8 and 16-35mm f/4 focal points accessible all through 2019, alongside two teleconverters, and four further optics in 2020. This will result in 10 focal points altogether before the finish of 2020, a range that will be built up by 18 from Leica (counting existing choices) and 14 that will instantly touch base from Sigma.

Panasonic’s sensor-based picture adjustment framework has been an element on its G-arrangement cameras for quite a while, so it’s nothing unexpected to see that it makes the cut here. All alone this gives five-hub adjustment to non-balanced out focal points, despite the fact that it additionally works working together with O.I.S. focal points that have their own two-pivot adjustment frameworks, an innovation known as Dual I.S. 2. At this moment, this just applies to the previously mentioned Lumix S Pro 70-200mm f/4 O.I.S and Lumix S Pro 24-105mm f/4 Macro O.I.S optics, yet the advantage here is up to six stops of adjustment, which is truly decent.

Utilizing a focal point without picture adjustment? You can appreciate 5.5 stops rather, which is as yet aggressive. Over this, a marginally covered up however extremely perfect I.S. Status Scope highlight can likewise been raised, its motivation being to give you a graphical portrayal of vibration continuously.


Sensor: 24.2MP full-frame CMOS

Lens mount: L mount

Screen: 3.2-inch tri-axis touchscreen, 2.1 million dots

Viewfinder: OLED EVF, 5.76 million dots

Burst shooting: 9fps (6fps with continuous AF)

Autofocus: Contrast-detect AF with DFD

Video: 4K UHD (up to 60/50p)

Connectivity: USB 3.1 (Type-C), HDMI, Wi-Fi and Bluetooth

Battery life: 380 shots with SD / 360 with XQD

Weight: 1,021g (including card and battery)

This current S1’s adjustment framework works for the two stills and video shooting, and Panasonic has structure for kitting out its models with a solid suite of video recording apparatuses. Surely, the S1 is seemingly a more grounded camera for video than the more senior S1R, on account of its capacity to shoot 4K UHD video utilizing the entire width of the sensor – so no harvest factor to stress over – and full pixel readout at up to 30p. You can likewise record at this setting with no time limit (dissimilar to at 4K60p, where there’s a 29 min, 59 sec top), despite the fact that recording is part into individual documents.

Video can be recorded in 4K UHD quality at up to 60/50p (however without full pixel readout), with 25p and 24p casing rates additionally close by, and 10-bit 4:2:0 film can be caught inside when utilizing the HEVC/H.265 codec – else, you can catch 8-bit 4:2:0 film utilizing MPEG-4/H.264.

Panasonic will likewise give a product key update that will support the S1’s video specs to 10-bit 4:2:2 outside chronicle when shooting 4K film in 60/50p, and 10-bit 4:2:2 inner account while catching in 30p/25p/24p, in the not so distant future. This will likewise open a V Log alternative, albeit the majority of this will include some major disadvantages, as opposed to being accessible as a free firmware update.

At the present time, Cinelike D/V and Like709 gamma bends can be called upon, as would hybrid be able to Log Gamma and Like2100 profiles, while another level mode that lessens complexity and immersion for those aiming on preparing their recording is likewise accessible. Shading and high contrast kinds of Hybrid Log Gamma modes – intended for showing pictures on TVs that help the innovation – join these.

Full HD recordings can likewise be caught at a most extreme 60p, albeit quicker edge rates up to 180/150p are additionally accessible when utilizing the High Speed Video mode with the aim of yielding moderate movement film. 4K film caught at 60/50p can be yield in moderate movement.

There are additionally standard 3.5mm ports for the two receivers and earphones holed up behind their very own entryway along the edge of the camera, while a full-estimate HDMI port is situated underneath these. You can likewise associate mouthpieces with a XLR connector to the camera by means of a discretionary XLR1 amplifier connector that slips into the hot shoe.

The Panasonic S1’s electronic viewfinder flaunts an amazing 5.76 million spots spread over its OLED board. The present standard for top of the line mirrorless cameras is 3.69 million dabs, so this is a critical advance up. Panasonic claims this revives at a truly good 120fps, and has a “for all intents and purposes non-existent” 0.005 sec slack time that ought to satisfy those hoping to skillet subjects, and you can alter its amplification from the most extreme 0.78x down to 0.74x and 0.7x utilizing a catch to the side of the discoverer.

The LCD screen beneath this likewise flaunts amazing specs. It’s based around a 3.2-inch contact touchy board with 2.1 million dabs, and it tends to be balanced in a similar three-pivot tilt way as the screen on Fujifilm’s X-T3. By and by, this gives you a chance to point the screen up or down paying little heed to whether you’re holding the camera in a scene or picture introduction. It doesn’t flip right around to confront the front like the screens on the Canon EOS RP or Panasonic’s very own GH5S or G9, yet then this isn’t a camera that is essentially gone for that equivalent group of onlookers. Regardless, this is all still focused on paper.

Those catching games, activity or whatever else that isn’t totally static can shoot at up to 9fps at full goals, or 6fps when consistent center is empowered. In case you’re content with 6K-quality (18MP) pictures, you can utilize the 6K Photo mode to shoot at up to 30fps, and if goals is even to a lesser extent a worry you can support this to a most extreme 60fps at 8MP with the 4K Photo mode.

Photograph Styles on the S1 keep running from Standard, Vivid, Landscape, Portrait and Natural alternatives through to three monochrome settings and the video profiles portrayed previously. Panasonic has left space for four further adaptable My Photo Style settings over these, which makes it simpler to accomplish the look you need without plan of action to programming.

Also read: The Best Gadgets You Can Buy In 2018

The organization has likewise played make up for lost time with some different makers regarding white equalization and metering. The Auto White parity alternatives welcome another AWBw setting that, Panasonic says, “makes an alluring moderate red tint”, while metering modes spread the normal evaluative, focus weighted and spot triplet, yet are presently joined by a Highlight Weighted Light Metering Mode that meters to hold subtleties in especially splendid territories.

One specific zone of solidarity for the Panasonic S1 is the memory card setup. There are two spaces on the body, one for XQD cards and another for SDHC/SDXC cards. The XQD space not just enables clients to exploit the present age of quick and rough cards, but at the same time it’s set to help the approaching CFExpress group that will take up the execution stick. The SDHC/SDXC opening, then, bolsters both UHS-I and UHS-II cards, just as V90-appraised cards for video recording. The way that there are two distinct cards openings may not satisfy everybody, except – with UHS-III cards still not accessible – each space is at any rate specced to the most elevated standard at this moment.

The battery is fundamentally bigger than those inside opponent cameras, so it’s something of a shock to find that battery life itself isn’t especially extraordinary. The CIPA rating remains at 380 casings when utilizing a SDHC/SDXC card, and 360 edges when shooting to a XQD card, in spite of the fact that Panasonic claims the Power Save work enables you to support this to 1,150 and 1,000 shots separately. Certifiable use on standard settings is probably going to give you a figure in the middle of the two, and you additionally advantage from the accommodation of having the capacity to charge the battery while it’s inside the camera by means of its USB port, a procedure that is said to take around two hours altogether.

Wi-Fi and Bluetooth are ready for simple picture sharing and remote camera control, and you can utilize this with iOS and Android telephones and tablets running the new Lumix Sync application. What’s more, the camera is additionally good with the new Lumix Tether programming, which enables you to work the camera, and quickly download pictures, by means of a USB association with a PC.

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